The music of the movie was composed by R. D. Burman and the lyrics were penned by the noted lyricist Gulzar who also wrote the screenplay for the film. Burman won the Filmfare Award for Best Music for this film.
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It\u2019s been easy (laughter). It was just the right time in terms of overall trajectory for our lives. When I was younger I wouldn\u2019t have thought I wanted to live outside the city. I was too interested in being able to go to concerts at the Empty Bottle or to catch movies in theaters. I\u2019m glad I did those things and had that life trajectory but I\u2019m happy to be outside of it now.
Having come into that world without a background in film\u2026 I mean, I had done work as an audio technician in various ways, recording music, mixing music, doing CD mastering, working in Chicago public radio, making radio programs, and doing live broadcasts and blah blah blah. I had some sense of how to work in audio but not any training in how to do soundtrack for a movie. I had blissfully approached that without a sense of what conventions I was either making use of or not making use of.
And I was like, wow, that really crystallized everything. I\u2019m really interested in hearing that mic. What was that mic made out of? Who made that mic? Everything about the history of that mic is part of what\u2019s in every shot. That\u2019s part of the movie to me. Ideally, everything is important or something to think about or think with.
Some people have asked me about foley in that movie, and there\u2019s none. It\u2019s all the sounds from that one mic, and that was a beautiful surprise. I had already done Swiss Mountain Transport Systems by that time so I already knew what happened when you made a recording in a gondola (laughter). But nonetheless, it was a nice surprise. There must be better examples of something being really surprising. (pauses).
Just as a tangent to what we were talking about a minute ago, the fact that people asked about foley or were convinced there was foley in Manakamana has to do with the sort of distrust of the soundtrack that people who see movies learn; you assume that what you\u2019re hearing isn\u2019t from what you\u2019re seeing because that\u2019s how you know movies are made. That\u2019s a bit of a tragedy. Maybe that\u2019s a bit of an overstatement, but people learn not to trust the soundtrack. The soundtrack is exempt from the point of nonfiction.
There was also a revelation to Lucien and V\u00E9r\u00E9na when they looked at the GoPros because they didn\u2019t go into the movie they were going to make it that way. That was something they tried along the way and saw the results later in a sort of old-fashioned way. With GoPros you don\u2019t see the images that are recorded. It\u2019s like in the old days of film when you\u2019d record something and then look at it later, and so they\u2019re looking at it later and are like, \u201COkay, I think we have something here, this is interesting.\u201D 2b1af7f3a8